A lot of musicals are about happy things – but his musicals are about the difficult things.” She said: “His stories will live as long as Shakespeare’s because he speaks about people, about emotional difficulties, about the need we all have for love or recognition and to be noticed.
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Imelda Staunton, who starred in productions including Gypsy and Follies, called Sondheim “the Shakespeare of the musical world”. There were regular revivals of Sondheim’s shows and gala concerts and, in 2008, he won a Tony award for lifetime achievement. The 2014 film, adapted for the screen by James Lapine, who wrote the book for the original production, was directed by Rob Marshall and starred Meryl Streep as a witch and Anna Kendrick as Cinderella. The 1987 fairytale mashup Into the Woods was one of many Sondheim musicals to be brought to the big screen. Witchy business … Meryl Streep in the 2014 film version of Into the Woods. It won the Tony award for best musical in 1963. The Roman farce A Funny Thing Happened on the Way to the Forum was the first Broadway show where the lyrics and music were both by Sondheim. Robbins also directed and choreographed Sondheim’s Gypsy, based on the memoirs of Gypsy Rose Lee, with music by Jule Styne.
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“I don’t know what a Puerto Rican street girl is doing singing a line like that.” “That wouldn’t be unwelcome in Noël Coward’s living room,” he said. His lyrics for Tonight, America and Somewhere would be loved by generations of theatregoers but, as a perfectionist and his own worst critic, he came to regret one of Maria’s lines – “It’s alarming how charming I feel” – in I Feel Pretty. He was 27 when he had his first big hit with West Side Story, which relocated Romeo and Juliet to the mean streets of New York City’s Upper West Side and was conceived by Jerome Robbins, with a book by Arthur Laurents and music by Leonard Bernstein. After he had established himself on Broadway, he typically took charge of music and lyrics in his shows. While many musical-theatre creators specialise as either a composer or lyricist, Sondheim excelled at both. His compositions, too, were richly adventurous.
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Follies and Company, which received rapturous revivals in London in 20 respectively, gave bittersweet accounts of love and life. Sondheim raised the status of the musical, which had often been considered comforting and unadventurous family entertainment, and used it to explore adult relationships in all their complexity. His intricate and dazzlingly clever songs pushed the boundaries of the art form and he made moving and funny masterpieces from unlikely subject matters, including a murderous barber (Sweeney Todd), the Roman comedies of Plautus (A Funny Thing Happened on the Way to the Forum) and a pointillist painting by Georges Seurat (Sunday in the Park With George). Over the course of a celebrated career spanning more than 60 years, Sondheim co-created Broadway theatre classics such as West Side Story, Gypsy, Sweeney Todd and Into the Woods, all of which also became hit movies. Cameron Mackintosh said: “The theatre has lost one of its greatest geniuses and the world has lost one of its greatest and most original writers.”
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Andrew Lloyd Webber called him “the musical theatre giant of our times, an inspiration not just to two but to three generations contribution to theatre will never be equalled”. His death, at his home in Roxbury, Connecticut, on Friday has prompted tributes throughout the entertainment industry and beyond. S tephen Sondheim, the master craftsman of the American musical, has died at the age of 91.